
Paris
The Wild Beasts
Matisse, Derain and their circle, 1904–1912
In 1905 a few painters in Paris began choosing color for its force rather than its accuracy. This part follows that change from its first trials to the quieter pictures that came after.
- The summer of 1905 at Collioure, where Matisse and Derain worked side by side
- The Salon d'Automne that autumn, and the uproar that named the group
- Where the experiment led next, as Matisse turned toward calm, decorative harmony
Works in this part
- Luxe, calme et volupté
- Femme au chapeau (Woman with a Hat)
- Portrait of Madame Matisse. The Green Line
- Open Window, Collioure
- Mountains at Collioure
- Pont de Charing Cross
- Posters at Trouville
- Le Bonheur de vivre, also called The Joy of Life
- Les Affiches à Trouville
- Goldfish
Image: Wikimedia Commons · PD-US-expired / PD-old-70