
Revolution and Nightmare
Francisco de Goya
The Third of May 1808
1814
Oil on canvas, 268 × 347 cm. Museo Nacional del Prado, Madrid
At night a French firing squad shoots Madrid civilians seized after the uprising. Tomlinson (Berkeley) observes that this pair of canvases brings the brutality of the war etchings to the full size of a history picture.
- Painted as the companion to the street-fight canvas; the Prado rejects the old story that both were made for street display.
- Look at the man in white with raised arms, lit by a lantern and facing soldiers whose faces are hidden.
- Broad brushwork and stark light and dark replace careful finish.
- The scene honors anonymous townspeople as martyrs. That dignity, granted to people history would not otherwise name, made it a lasting model for later images of political violence.
- Registered in the Prado's Large Deposit in 1834; the French writer Théophile Gautier saw it there in 1840.
Image: Wikimedia Commons · Public domain (PD-Art)