A Studio at Les Batignolles

Beginnings

Henri Fantin-Latour

A Studio at Les Batignolles

1870

Oil on canvas, 204 × 273.5 cm. Musée d'Orsay, Paris

Young painters and writers gather around Manet at his easel. Shown at the 1870 Salon, it presents the future Impressionists as serious, respectable men.

  • Fantin paints the circle as a group of friends. Monet and Renoir, both here, would later exhibit together, and showing as a group became how the Impressionists made their name.
  • Named for Les Batignolles, the Paris district where Manet and several younger painters lived.
  • Among the men: Manet seated, Renoir in a hat, Zola, Bazille standing tall, and Monet.
  • Look for a statuette of Minerva, a sign of respect for ancient art, and a Japanese-style pot, a sign of taste for Japanese art.
  • The Musée du Luxembourg acquired it in 1892.

Group portraits of artists were a way to announce a shared cause in public. Within months, the Franco-Prussian War scattered this circle.

Image: Wikimedia Commons · Public domain