
Beginnings
Henri Fantin-Latour
A Studio at Les Batignolles
1870
Oil on canvas, 204 × 273.5 cm. Musée d'Orsay, Paris
Young painters and writers gather around Manet at his easel. Shown at the 1870 Salon, it presents the future Impressionists as serious, respectable men.
- Fantin paints the circle as a group of friends. Monet and Renoir, both here, would later exhibit together, and showing as a group became how the Impressionists made their name.
- Named for Les Batignolles, the Paris district where Manet and several younger painters lived.
- Among the men: Manet seated, Renoir in a hat, Zola, Bazille standing tall, and Monet.
- Look for a statuette of Minerva, a sign of respect for ancient art, and a Japanese-style pot, a sign of taste for Japanese art.
- The Musée du Luxembourg acquired it in 1892.
Group portraits of artists were a way to announce a shared cause in public. Within months, the Franco-Prussian War scattered this circle.
Image: Wikimedia Commons · Public domain