The Bard

Revolution and Nightmare

John Martin

The Bard

c. 1817

Oil on canvas, 127 × 101.6 cm. Yale Center for British Art, New Haven

From a crag high above a river, a white-bearded harper curses the English army winding below. The scene comes from Thomas Gray's ode of 1757 about the last Welsh bard, who then leaps to his death.

  • Martin painted another, much larger version, over two meters tall, now in the Laing Art Gallery in Newcastle upon Tyne.
  • Look at the tiny soldiers at lower left, dwarfed by the cliffs, torrent and peaks that climb out of the top of the frame.
  • The castle across the river has been identified as Conwy, in North Wales.
  • A lone poet stands against an army in a sublime mountain setting. The artist as prophet, defying worldly power, became a favorite Romantic hero.
Sublime
The awe mixed with fear felt before something vast or overwhelming, such as mountains, storms or great height.

Image: Yale Center for British Art (open access) · CC0