
Landscape and the Sublime
Caspar David Friedrich
Wanderer above the Sea of Fog
c. 1817
Oil on canvas, 94.8 × 74.8 cm. Hamburger Kunsthalle, Hamburg
A man in a dark coat stands on a rocky summit above valleys filled with mist. Hokanson and Seidenstein (Met) call it a textbook case of the Romantic sublime.
- Look at the figure: one large person fills the center of an upright canvas, both rare in the painter's work.
- The view was put together in the studio: the foreground rock comes from a drawing made in Saxon Switzerland in June 1813, other landforms from studies of 1808.
- The painting carries no signature or date, so its year is an estimate.
- Because he turns away, we watch a person looking instead of meeting the scene directly, and seeing itself becomes the subject. Who he is cannot be established.
- On permanent loan from a Hamburg foundation that bought it in 1970. The museum describes its ownership history as unresolved and a matter of concern.
- Rückenfigur
- German for a figure seen from behind, placed so that the viewer looks along with it.
Image: Wikimedia Commons · Public domain (PD-Art)