
Landscape and the Sublime
Thomas Cole
View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow
1836
Oil on canvas, 130.8 × 193 cm. The Metropolitan Museum of Art, New York
A storm moves away from a sharp bend in the Connecticut River, seen from a mountain lookout. Wild forest lies on one side of the valley and cleared, sunlit farmland on the other.
- Look at the tiny figure beside the parasol in the lower foreground: Cole painted himself at his easel, glancing back at us.
- The Met also owns a sketch for the composition, made the same year in oil and pencil on board.
- Storm clouds and a shattered tree hang over the wild side; haystacks and sheep dot the fields, and the river loops around a flat tongue of farmland. The Met reads this contrast as settlers moving into land then thought of as untamed wilderness.
- Given to the Met in 1908 by Mrs. Russell Sage.
- Hudson River School
- A later name for American landscape painters, about 1825–1875, centered on Cole and on scenery of the Hudson Valley and nearby mountains.
Image: The Met Open Access · CC0