
Landscape and the Sublime
Albert Bierstadt
The Rocky Mountains, Lander's Peak
1863
Oil on canvas, 186.7 × 306.7 cm. The Metropolitan Museum of Art, New York
A Shoshone camp spreads across a valley floor beneath a waterfall and a snow-capped peak in the Wind River Range. Karen Quinn of the Museum of Fine Arts, Boston, notes that its huge scale was meant to overwhelm eastern audiences.
- Bierstadt saw the region in 1859, traveling with Frederick W. Lander's government survey.
- Look at the center: the waterfall drops into a still lake that mirrors it, just behind the camp.
- Painted later in New York, working from sketches made on that trip.
- The Met links the picture to Manifest Destiny: it presented the West as a frontier for White settlers to claim. The Met adds that this belief disregarded Indigenous peoples already there, with grave results, including for the Shoshone the painting shows.
- Bought by the Met through the Rogers Fund in 1907.
Image: The Met Open Access · CC0