Niagara

Landscape and the Sublime

Frederic Edwin Church

Niagara

1857

Oil on canvas, 101.6 × 229.9 cm. National Gallery of Art, Washington

Horseshoe Falls stretches across a long, low canvas, seen from the Canadian side. The National Gallery notes that artists had thought the falls almost unpaintable, and that reviewers praised how Church caught their scale and beauty.

  • First shown at a New York dealer's gallery in May 1857, titled The Great Fall, Niagara.
  • Look for one faint rainbow in two pieces: a short arc at upper left, picked up again in the spray in front of the falls.
  • Church sketched the falls from both the American and Canadian banks the year before.
  • Church left out any ground at the bottom edge, so the viewer seems suspended above the rushing water rather than standing on a bank.
  • Toured Britain, where John Ruskin saw it, and U.S. cities; the Corcoran bought it in 1876, and it joined the National Gallery in 2014.
Panorama
A very wide view that sweeps across a scene; in the 1800s also a huge painting shown in its own hall.

Image: National Gallery of Art, Washington (open access) · CC0